Midi Reggae Drum Patterns

Of course, the drum pattern suggested in this tutorial is just one out of many that could have been used. Just picture a Reggae drum kit at a concert and count the cymbals. TUTORIAL DRUMS: When. MIDI (9) - DRUM PATTERNS AND BREAKS. OddGrooves Reggae Drumming is a drum loop library inspired by artists such as Burning Spear, Peter Tosh and Bob Marley & the Wailers. I’s all about a laid back groove. 247 reggae drum loops. MIDI format means you can choose your own sounds. Prosonic's Reggae & Ska Drum Library is packed with thousands of professional midi drum beats, in both common and complex time signatures, and they're all royalty free! Prosonic's Reggae Drum Beats have been inspired by greats like: Bob Marley, Peter Tosh, Toots and the Maytals, Jimmy Cliff, Burning Spear, Bunny Wailer, Black Uhuru, Sly and Robbie. If you are looking for free midi drum loops, midi drum patterns, midi drum beats or midi drums then the links below will be valuable to you. Please consider supporting the developers and website owners that give this free stuff away with purchases, after all they have bills and have to eat too! If you can’t afford to right now, they would.

1. Free Reggae Midi Drum Loops
2. Reggae Drum Patterns
3. Midi Jazz Drum Patterns

Anyone who knows their reggae would agree that the undeniable foundation to any reggae or roots oriented track is the rhythm section, always with the steady beat of the drums at the very forefront. In fact, reggae is likely unrivaled in terms of distinguishing drums. Ipl 7 Auction Download Free.

The moment that rhythm hits you, you know. This pack explores the many faces of the genre and includes all the trademark side stick beats, the rockers, the one drops, the steppers and the unmistakable fills. How To Install Sygic Cracked Version Filmora there.

From slow, traditional roots oriented reggae through Jamaican ska and dancehall. There simply is nothing like a reggae beat. Hard to play, impossible to mimic. But now easy to get.

Works with EZdrummer, EZdrummer 2, Superior Drummer 2 and Superior Drummer 3 (optimized for 1 kick, 1 snare, 2 toms, 1 floor tom, 2 crash cymbals, 1 ride cymbal).

Caribbean and Reggae Drum MIDI Library. After months of work I am proud to bring forth another free MIDI collection. Cool patterns. I just put together another large MIDI library. This time it’s 63 MIDI drum patterns for Caribbean style music. It has Dancehall, Reggae, Reggaeton, and Moombahton. Adobe Muse Media Queries Tutorial.

Right now, let's focus on the drums as this is the reason why we want to start our raw instrumental Reggae riddim at the ninth bar. About 95% of all Reggae tracks start of with a drum roll. You could say that this is the 'Reggae way' of counting off before a track. Where others tick the drum sticks or simply say 'one, two three four', in Reggae this is done by means of a drum roll. There are many non-musical reasons to think of why this is done but let's not go there in this tutorial. Let's just take it as a musical fact to consider.

Go to the eight bar of your drum track, make it so that you will be able to create 16th notes and make the following introduction roll:

Another thing in Reggae Music is that the first eight bars often function as an intro part. This is where horns play their theme or singers introduce the track with one or more vocal hooks. Very often, the first eight bars end with a drum roll that starts the sixth or seventh bar. As we will keep it a bit simple, we'll just make a short break at the eight bar. In the sequencer,this is the 16th bar as we start of with 7 bars of silence and a one-bar intro roll.

Go to the 16th bar and create this break (click image to enlarge):

The start of your rhythm should now sound something like this:

EXAMPLE0021.MP3.

Actually, you will recognize the Reggae standard of the intro roll and the break in the eight bar of the actual musical track. We've now reached a point wherein freedom can be enjoyed to the fullness when it comes to the drums. At least, freedom in responsibility.

Most tracks will have two or three breaks after the introduction part, or even more. Breaks can last sometimes up to four bars but you will have to know exactly what you do when you go there. More short and simple breaks will do for now, as you don't need this tutorial at this stage when you know how to make a four bar break.

Sure, when you know exactly what you want, or perhaps you have lyrics for which you need a riddim. In these cases it is quite important to place your breaks strategically. You do not want a break in the middle of a verse unless you deliberately want such a thing, for example.

There's more you don't really want unless you really do.

Take the beginner's mistake of putting too many breaks in the rhythm. A break should signify an important part like the end of a chorus or verse, or it should just do what the word says: give the riddim a break. When you hear a break every let's say 16 bars, the break becomes part of the rhythm and you'll end up creating a new style, call it breakbeat and become famous... But wait.... that has been done a long time ago already so just don't do it. Limit yourself to two or three breaks next to the introduction parts. So let's say no more than 5 in total during the whole instrumental track.

You do not want your Hi Hat pattern to continue during a break, either. A real drummer would never be able to do this and so you should avoid such unnatural things like the plague. Only do such things when you know what rules you are breaking and why you are breaking them. The human brain simply does not accept such things, even when it's just on a subconscious level. You can alter your hi hat pattern like in the example of this chapter, though. End it with an open HiHat hit that sounds during the break, fine. But always keep in mind a drummer usually has two arms and hands, not three or four.

Now, the best way in a situation like the one we created now is to go with your feeling. One way of determining the place of the breaks, especially when your intention is to make Dub primarily, is to simply let the drum and the bass play without the piano. Press play and listen intensly. You hear the introduction roll and the first eight bars that end with a break. Now listen, feel the drum and bass line and there will be a point wherein you will want to do something with the drums.

Let's do something with the drums. Let's put the shortest breaks of all somewhere: a simple crash on the thirn with nothing else during the rest of the bar. You will recognize this thing, especially in live concerts. It shows the power of taking things away, which -after all- is the strength of Dub as well. Go to bar 40 in your sequencer and do this with the drums:

Yes, you simply change the HiHat his on the third count into a crash cymbal hit and delete everything afterward in the bar. By doing so, you effectively created a 24-bar part in which you can do a thing and end it at bar 40 in your sequencer. This can also be a thing you will in your Dub mixing at a later stage.

Now, let's continue our drum alteration session. Instead of putting a break or crash cymbal,you can also slightly change the drum pattern intself. We're going to do that in the 64th bar in the sequencer. Simply move the snare to the fourth count and remove the hihats after the open hit at the rird count. See below:

Now, let's get a bit more serious now as we will put our first break in the actual riddim.

The first break after the introduction parts. We'll do it in the 78th bar where we simply change the Hi Hat hit on the third count into a crash cymbal hit and we'll put an open HiHat hit at the first count of bar 79, after which there will be no more HiHat in bars 79 and 80.

Create the following break in bars 79 and 80:

As you can see, we are over half of the actual track and we have just put the first break in there. But before we'll put another one somewhere, let's take the variation we made in the 64th bar of the sequencer and paste it into bar 96 as well.

Free Reggae Midi Drum Loops

A simple crash hit at the third count of a bar can mark the end of a part. A crash hit at the very first count of a bar can signify the sart of a part and we will do that as well before will put our final break in the riddim. We'll do it in bar 113 of the sequencer..

Since most parts of the riddim we're making has 24 bars, this crash hit signifies the start of the last 24 bars of the riddim. Our last break will be to end the riddim itself. Go to bar 137 and make the following break:

Reggae Drum Patterns

Voila!

Midi Jazz Drum Patterns

You've created your first full Drum line!