Here is the the free LUT Pack you have been waiting for. In this free cinematic lut pack for the Canon, Fuji, Panasonic and Sony footage is included:. 5x FREE Cinematic Filmmaking Luts for Rec709. The official FiLMiC Pro LUT pack uses the.cube format which ensures it is ready for use in Adobe Premiere Pro; Davinci Resolve; Final Cut Pro X; and other industry standard editing solutions for desktop. Prefer to edit on the go? The FiLMiC deFlat and deLog V2 LUTs are pre-bundled with LumaFusion and Video LUT on iOS making grading on mobile a. Flight distance: 89042 ft. + Add Friend Person Message. This works-i think they made the LUT for DJI drones. The end result isn't too bad-needs turning down a notch or two (and its free). Ground Control LUT.
Just switch from color science v1 to v4 in the RAW settings of DaVinci Resolve, apply the Natural Rec709 LUT and do your basic adjustments. Our LUTs are compatible with any software that support.cube files, such as DaVinci Resolve, Premiere Pro and Final Cut X.
While Canon does offer official LUTs for C-log footage from their cinema line of cameras, those LUTs don't work well with C-log footage from the EOS R, R5, R6 and 5D Mark IV. They're too punchy, skin tones look off, and vibrant colors quickly turn toxic.
That's why I decided to create a LUT package specifically for C-log footage from the EOS R, R5, R6 and 5D Mark IV. They convert the C-log footage to rec709 without altering the colors, and can be used for quick turnaround, or as a starting point for further grading.
C-log LUT Pack
The C-log LUT pack is compatible with all models that support C-log: the EOS R, R5 & R6 as well as the 5D Mark III and 1DX Mark III.
To account for various types of lighting, I've included a few different LUTs, in .cube format:
- C-Log to rec709 > works for most shots
- C-Log to rec709 Preserve Higlights > a punchier LUT while preserving highlights
- C-Log to rec709 Wide DR > a flatter LUT, great if you want to grade the footage further or add another LUT
- C-Log to rec709 Warm > a slightly warmer LUT to compensate for the cooler white balance on some models
- C-log to Rec709 Natural > Slightly more subtle than the standard LUT, for a more natural look. Also compensates for the gamma-shift that can occur when transcoding footage on some platforms.
The LUT pack also comes with a short guide on how to use these LUTs in different situations.
C-log3 LUT Pack
The C-log3 LUT Pack is compatible with the Canon R5 and 1DX Mark III.
The C-log3 LUT Pack contains LUTs for both BT.709 and Cinema Gamut color spaces, including LUTs for high contrast scenes, low light and overexposed footage. I've designed the BT.709 LUTs to closely match the punchy look of the original C-log LUTs, while the Cinema Gamut LUTs have a more organic, cinematic feel.
Because log profiles retain most information in the midtones and higlights, it's best to over-expose slightly and bring down the exposure in post. I've found that in most situations you can safely over-expose C-log (especially C-log3) by 1 or 2 stops.
A LUT doesn't magically look good on every shot. When you apply the LUT, adjust the exposure/contrast until it fits the scene. For low-contrast scenes (e.g. a cloudy day), add contrast to taste. For low-light footage it's best no to over-expose and apply one of the included low-contrast LUTs, or dial back the intensity of the LUT.
LUTCalc is a desktop app for generating, analysing and previewing 1D and 3D Lookup Tables (LUTs) for video cameras that shoot log gammas.
C-log To Rec709 Lut
It started out as a simple spreadsheet for generating S-Log2 exposure shift LUTs for Sony's F5 and F55 cameras. What began as a hobby gradually became more of an obsession which has developed into a flexible tool for creating and then shooting with 'looks'.
My name is Ben Turley and I am a professional lighting cameraman and DoP in the UK. I have written LUTCalc from scratch to help me with my day to day work. I use it to create MLUTs for the Sony F cameras I currently most often use. If shooting log I also make grading versions so that post can start off working with 'my' look. The charts and exposure values have also helped me to understand the way that modern cameras handle wide exposure ranges giving me good, consistent results. Many of my clients do not currently want or need log, and I frequently bake-in my personalised looks developed with LUTCalc.
Canon Rec709 Lut
I have worked to make the tools familiar to me in my work with film and video cameras; for example colour temperature can be set directly but also with a CTO / CTB slider akin to lighting gels.
Rec709 Lut Premiere
I have also come to realise that at present it is far too easy for LUTs to behave inconsistently between bits of software (or cameras). LUTCalc allows you to set all levels as you wish, but also offers simple presets to help consistency in various applications. This is an ongoing process and I am grateful for the help I have had in checking results and discovering when I have made mistakes!
More details about LUTCalc can be found in the 'Features' section